Slow Club is a duo from England, and “Giving Up On Love” is one of their best songs:
Tag: band (Page 7 of 8)
Wussy is a great band I just discovered over at Nyc Taper.
Wussy’s 3 best songs are “Maglite,” “Pizza King,” and “Motorcycle” —
“Maglite”:
“Pizza King”:
“Motorcycle”:
I spoke to Claire of Hope For Agoldensummer, a three-piece band led by sisters Claire and Page Campbell from Athens, Georgia.
After The Show: Starting mid-September, you’ll not only open for Patterson Hood but you’ll also sit in with his band during their sets. How are you preparing for that?
Claire Campbell: I actually just texted Patterson yesterday because we haven’t had any rehearsals since last time we played a show together, so as of now we haven’t started preparing yet. What happens is we have marathon rehearsals at Drive-By Truckers practice space. Sometime after dinner we’ll rehearse, rehearse, rehearse until we can rehearse no more.
With his sets, there is no set list – he just works off a giant list of songs we know, so we have a huge catalogue of songs that have to be ready at all times for whatever he decides he wants to play. The other thing about Patterson is that he doesn’t always call out songs, so sometimes he’ll just start a song and we’ll have to figure out which song it is in the first few bars. I’ll be playing banjo and realize I have to quickly change instruments!
When you’re playing shows in the south or in cities in the northeast, have you noticed differences in how audiences react to your music?
At first it seems like more of a novelty thing to people who aren’t from the south or from the southeast. But we win them over with our terrible jokes and stage banter. I feel like we get a pretty good reception across the board. Some places take longer to warm up.
What was your experience using Indiegogo to fund your fourth album, and why did you choose it over KickStarter?
We chose Indiegogo because we had a rather lofty financial goal of what we wanted to raise. If you don’t meet your goal with Kickstarter, you lose everything. In our case, the album was mostly in the can when we started fundraising. We were raising to cover the material cost of making the physical album and then to hire a publicist for the album – those things are the expensive things, and why we wanted to pre-sell it and do the fundraising campaign.
Even if we didn’t meet our goal we’d still get to keep the money we raised on IndieGoGo. The album was going to come out regardless of how much money we raised.
You play with some really interesting, unusual instruments like banjo, singing saw, and even a cheese grater. What’s your favorite and/or most unusual instrument you play?
My favorite is just the guitar; it’s the most fun. That’s what I write most of my songs on. I don’t tour with it, but I have a tiny old nylon string guitar from Vietnam and that’s what I mainly just sit at home & play – it’s effortless.
The weirdest thing I play is the singing saw. It’s a beautiful sound, in small amounts…it can definitely be overused. I can get tired of hearing it sometimes. We try to use it very sparingly, whenever we do use it. I don’t release a lot of raging singing saw solos in our folk songs. For Page, her current favorite weird thing is probably an Echoplex tape machine. We don’t tour with it and rarely use it.
I love the line “Mr. Bloom / I’ve made some room / in my mind / for thoughts of you.” Do you want to discuss the meaning and evolution of the song “Daniel Bloom”?
It’s kind of a long story. Daniel Bloom is a really good friend of mine who lives in Athens. When I first moved to Athens in ‘98, he was the first or second person I met. I was studying religion and he was studying philosophy so we had a lot to talk about. We had been talking about bugs…I said you can eat cockroaches – they would be protein & safe to eat, but it turns out after research that you can’t eat them because they carry terrible diseases. We made a bet that whoever was wrong had to write a song about the other person & perform it in public. The song slowly evolved to involve what I had written about him for that bet, but also parts of a love letter from someone else.
Hopefully that song will have a music video to go along with it – our plan is to do a motorcycling music video where I drive and Page stands on the foot peg mouthing the words to the song. We’d then have different members of a motorcycle gang chase us…we’ll see what happens.
What aspects of the business of music do you like and not like?
I don’t like hardly any aspects of it. I’ve been in it for so long that I’ve gotten really weary of it. I don’t really like booking shows anymore, and I don’t really like publicizing my shows. We hired a publicist for this album and tour, but I honestly feel like we could have probably pulled most of it off ourselves & gotten the same results, for the most part.
I got sort of disenchanted with the whole rat race and competition, and my ideas and priorities changed as far as how much time I wanted to devote to music & how much time I wanted to devote to all the other things in my life. At this point, I try to keep my nose out of the business of music as much as possible, and it’s probably to the detriment of our band.
Page is a graphic designer now & I’m a doula – we have other passions that have come to the surface. They haven’t overtaken music at all but are definitely of equal importance as music.
You’ve said that music isn’t how you make money; it’s how you spend money. That’s such a powerful, succinct statement about the current state of music and the struggle of the majority of bands.
Yes. For most people it’s an expensive hobby…I hate to say the word hobby, but is money the determining factor? Probably not. Our band breaks even, although we have massive amounts of credit card debt after the last tour. Except if you started actually figuring in the man and woman hours, we definitely would be in the red. None of us are pulling remotely a fair wage from being in this band, but we love it & we do get fulfillment from the other ways we make a living, so I think that’s okay.
I am happy where we are, for sure, right now. I’m not unsatisfied & I don’t look back at decisions we’ve made & have massive amounts of regret. I feel like we are successful whether or not we earn our living from music. I waver back and forth – on the business of music. I know it’s frustrating for everybody. This town [Athens] is great for being a musician because people are used to hiring people who go on tour, but most people here are not making a living wage.
You do great covers like “Time After Time” and even an Aaliyah song. Are there any covers people can expect on your upcoming tour?
Well actually I was just thinking of pitching some Elvis songs to Page. We do a lot of old R&B from Georgia like James Brown and Little Richard, but I was thinking like an Elvis song maybe…and Chuck Berry. Then there’s this really weird song about “why would you wanna break up.” Do you know that song?
No…
It has really strange timing – the rhythm is weird and the chorus is amazing – sorry I don’t know who it’s by. Patterson’s band is going to be our backup band so we’re trying to keep things simple, and we’ll probably be playing the exact same set every night because we’ll have to teach people our songs. I have pieces of songs but nothing new. We might do a new song of Page’s. But Page is insanely prolific, which is good when I have writer’s block.
*Thank you Hope For Agoldensummer — catch the band on tour — list of shows here
Yesterday, I spoke to Lauren Larson, the lead singer and guitarist of Ume, about the band’s current tour, having a secret life as a rock guitarist, and Bjork.
After The Show: So I saw you play last week at Webster Hall and I was amazed by how much power you guys created as a 3 person band. How is it touring with The Toadies and Helmet so far?
Lauren Larson/Ume: It’s a lot of fun and a real honor. The Toadies have always been great supporters of Texas bands and more independent bands. We played with them a couple of times and they invited us to do an east coast run, and Helmet picked us for the west coast run. I like that I don’t have to turn down my guitar!
A lot of bands today have limited to no stage-presence, they’re more shoegaze-y. Why do you make theatrics and displays of raw, unbridled energy important to your live show?
I’m pretty shy and reserved every other time, but [onstage] is my one chance to not hold everything back. It’s a different side of myself. Live music, rock and roll…when else can you put your heart completely into something and really let go?
With indie rock, a lot of bands are on stage and look like they don’t want to be there. Ume is the antithesis of that – we want to be there. Whether we’re playing to 5 or 5000 people, we put our heart completely into it. A lot of people tell me they’re inspired by what they see. It’s a lot of fun when for example young girls come up to me and say that I inspired them to do something they’re afraid to do or pick up a guitar.
What are the unique challenges and benefits of being married and having your spouse on tour with you?
Eric [bassist of Ume] and I grew up together through music. He met me when I was playing guitar in my first band at age 15, and we always made music together. I think being in a band with anyone, married or not, requires commitment and communication. The band lives together in a van. Being respectful, giving each other space, and appreciating each other are all important.
A lot of bands today are making the bulk of their income via licensing. What’s your view on licensing – is it a goal for your band?
Right now it’s hard being in a touring band. No industry is dishing out money like before. We would never write music with [merely] the intent of getting it licensed, but we have had a couple songs in TV shows that paid well…As long as it’s not a company that I have an ethical problem with. We don’t mind having our music shared that way.
You recently got record deals for the Europe and Taiwan markets. How do you navigate the business side of music?
It’s all pretty new to us. I came from a very DIY punk scene where kids were putting shows together in community spaces. The business side was far from my mind when I’m making music, but I’ve really learned a lot. Don’t always sign the first thing that comes your way, have confidence in your band, and keep freedom. Europe — We’ll be making our first trip over there for the Rock En Seine Festival [in Paris 8/25].
How did you initially balance working towards a Ph.D in philosophy and being in a band, and what made you decide to focus on music?
I’ve always had a duel personality – an academic nerdy side and my secret life as a rock guitarist. Most people wouldn’t expect it. For a while I always thought I could do both. I never wanted to categorize my life as either academic or musician. When I went to grad school I realized my heart wasn’t in the cerebral, and my passion was music – I could express my voice through music. I moved back to Austin, and I’m glad I decided to pursue music full time.
And last question, if you could have any band cover one of your songs, which band and what song of yours would you choose?
That’s interesting. Someone like Bjork to do a really interesting take on one of our songs…Bjork singing “Captive.” She could deconstruct it and her voice would soar.
Thanks Lauren. For tour dates and more info, check out Umemusic.com.
Thursday June 28th, Exitmusic headlined a packed show at Mercury Lounge, with opener Stagnant Pools.
I saw husband/wife band Exitmusic once before, opening for School of Seven Bells. This time, though, I noticed a few more songs that were really catchy: “The Modern Age” and “The Night.” The audience seemed to react better to the songs with clearer, more easily decipherable vocals.
The guitar notes in “The Modern Age” build a tension that resolves halfway through the first chorus with the introduction of the snare drum beat, and the vocal repetition of “Oh, on the run from the modern age” really hooks the listener in.
“The Modern Age”:
“The Night”:
After The Show covered I Blame Coco back in January 2011, but the band’s debut album was only released in the UK, not in America.
Word on the street is that I Blame Coco is planning a US debut (starting in New York).
Stay tuned for updates. Here’s a video of I Blame Coco playing an unknown song, maybe called “Spies”: