Tag: After the show (Page 3 of 3)

Using Music to Learn Vocabulary: Part 3

Part 3 of After The Show’s “Using Music to Learn Vocabulary” has arrived!

1. Vagrancy: “Difference is Time” by Jason Boesel / Conor Oberst and the Mystic Valley Band

Vagrancy is the state of wandering the land of an itinerant person without a home or regular employment.

2. Apocryphal: “Smarter” by Eisley

Apocryphal means erroneous or fictitious; of questionable authorship or authenticity; false.

3. Jonestown: “Highs and Lows of Being Number 1” by Jenny and Johnny

Jonestown, or the Peoples Temple Agricultural Project, was a cult led by Jim Jones. In November 1978, 918 people in Jonestown died in a mass-suicide / mass-murder.

4. Garish: “Get Well” by Noise Addict

Garish means obtrusively bright and showy, loud, or gaudy.

5. Watershed: “Watershed” (an unfinished, unreleased demo) by Hanson

A watershed is a ridge of high land dividing two areas that are drained by different river systems; a critical point that marks a division or a change of course; a turning point.

Music vs. Cereal (Part 2)

Last week, After The Show published a post called “Music > Cereal, pointing out the discrepancy between a box of cereal costing the same price as an entire album of music.

Magic Pie Music then posted a response, called “Music < Cereal: Why $5 for a digital album is too much.”

This response raised many good points, but I think the biggest problem with bands giving away their music for free (or very little) creates a barrier to entry — such a model benefits already-established artists and big name artists, but new bands and indie bands would face quite a struggle if their main source of income was merchandise and concert tickets alone. How would they make enough money to be able to tour (and sell this merchandise and these tickets) without first making money by selling their music online?

You can read that post as well as follow-up comments here. Feel free to contribute to the discussion by leaving a comment.

Who Are They Now Game: Clues

Before revealing the answers to the Who Are They Now game, here are clues to help you figure the answers out:

Click here to see the photos again.

1. Child #1’s middle name is Coppola.

2. Child #2 became a drummer.

3. Child #3 is in a band with Children #8 and 9.

4. Child #4 is in a Canadian band.

5. Child #5 is in a band with Child #1.

6. Child #6 played bass in a band with Child #2.

7. Person #7 has a family reality TV show.

8 and 9. Children #8 and #9 are brother and sister.

10. Child #10 is British but shares her name with a southern U.S. state.

11. Child #11 has an alliterative first and last name.

Who Are They Now Game: Round Two

Round One of “Who Are They Now” was a hit (click here to see it), so we’re back with Round Two.

What musicians/bands did these mystery children become? A clue for each child will come soon.

Mystery Child #1:

Mystery Child #2:

Mystery Child #3:

Mystery Child #4:

Mystery Child #5:

Mystery Child #6:

Mystery Person #7:

Mystery Children #8 and #9:

Mystery Child #10:

Mystery Child #11:

Interview: Robert Schwartzman

After The Show is thrilled to present our first exclusive interview…with Rooney frontman Robert Schwartzman.

Robert Schwartzman After The Show Interview

After The Show: What’s your favorite lyric from the new album Eureka?

Robert Schwartzman: “It’s the same old story, the same old movie, but when you’re with me it’s a masterpiece.”  It’s from the song Only Friend.

How did the band choose “I Don’t Wanna Lose You” as the first song to share with the world?

It was the first song we recorded for the album and it’s the one we tried with a few different producers.  It has our sound and has something new…represents the album in a good way.

What is the hardest part about transitioning from a 5 piece to a 4 piece band?

Well, we tried the 4 piece setup for a few rehearsals, but it didn’t feel right.  I like playing guitar in Rooney and it’s been my thing for the last 8 years in the band.  We have a bass player with us…names Brandon Quinn…awesome guy and terrific musician.  It’s great to have a new energy in the mix.

Matt [Rooney’s former bassist] called Eureka the “best record we ever made” in his farewell note. Assuming you agree, what makes Eureka even better than your previous albums?

It has the strongest songs and it sounds the best.  It’s a good representation of who we are and what we’re made of.  The playing is really good from everyone and it just feels the closest to home.  We made it on our own, produced and engineered, which wasn’t the easiest thing for us, so it feels like a big accomplishment.

How have the songwriting duties been shared among the band on previous albums, and how were they shared while writing Eureka?

I’ve written everything for the band so far.  Eureka has two songs that I didn’t write…Into The Blue, by Louie Stephens and The Hunch by Ned Brower and Taylor Locke. We started Rooney with my songs and it’s just been our thing…shaped our sound. The other guys are working more on writing and wanting to contribute, so this was their first chance to put music on a Rooney album.

What is your song “Suckceed” about?

It’s about some of the characters at our old label.  Some of the things I witnessed or felt while working with them.  How people pass the blame and how people do whatever it takes to make it…keep your job.

What do you see as the role of collaboration in Rooney’s future? What about collaborating with other artists (Ben Lee, Jonas Brothers) in your own SoloBob music?

I like collaborating and I’m loving the more and more I do it.  Perhaps there will be some other artists featured on Solobob. As long as it makes sense for the music.

+Rooney’s new album Eureka comes out June 8, 2010. For tour dates, click here.

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