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Music vs. Cereal (Part 2)

Last week, After The Show published a post called “Music > Cereal, pointing out the discrepancy between a box of cereal costing the same price as an entire album of music.

Magic Pie Music then posted a response, called “Music < Cereal: Why $5 for a digital album is too much.”

This response raised many good points, but I think the biggest problem with bands giving away their music for free (or very little) creates a barrier to entry — such a model benefits already-established artists and big name artists, but new bands and indie bands would face quite a struggle if their main source of income was merchandise and concert tickets alone. How would they make enough money to be able to tour (and sell this merchandise and these tickets) without first making money by selling their music online?

You can read that post as well as follow-up comments here. Feel free to contribute to the discussion by leaving a comment.

Music > Cereal

Price of one box of Kashi cereal: $5.00

Price of one entire album on Amazon: $5.00

Digital music, with no packaging/warehouse/storage/transportation costs, should be less expensive than music in vinyl or compact disc form.

But, it seems incongruous to charge only $5.00 for an album of 12-13 songs which can be listened to over and over again and shared with a theoretically infinite number of people.

The box of cereal is gone very quickly, but the songs remain.

Early Winters at Hotel Cafe

Last night, Early Winters (and Nightmare and the Cat) played at the Hotel Cafe.

This show was the second of Early Winters’ March residency, and 4 musicians backed up bandleaders Carina Round and Justin Rutledge.

The band started with “Turn Around,” a song that equally featured both lead singers and reminded me of The Swell Season.

Early Winters then played a song that’s not on their EP, perhaps called “What Kind of King.” A great, more electric, and slightly faster version of “Spanish Burn” was next.

“Light of Day” was a solid, catchy, up-tempo song featuring a keyboard/harpischord-like solo, followed by “Tough Love.”

The band finished its set strong with “One Time In Your Life” — the drums really drove the song and the audience responded well to the music.

Check out Early Winters’ official website here.

The Art of the Set List

A set list is a sheet of paper, usually taped to the floor of the stage, that lists the order of songs that a band intends to play during a particular concert.

Band members use set lists so that they can briefly glance down and determine what song to play next.

As we’ll see below, set lists can look quite different from one another — some are handwritten, some are scribbled messily, some have misspellings, and some are typed.

In addition to ticket stubs, set lists can be great souvenirs of a concert, and people at the front often snatch the set list when a show ends.

Some set lists include pre-determined songs for the encore, indicated below by the dotted line and the diagonal line:

Figure A:

Figure B:

As we see in the above set lists (Rooney and Ben Kweller, respectively), it’s interesting to see how an artist will abbreviate certain song titles. For instance, “ISHBAY” in Figure A is shortened for the song “I Should Have Been After You.” Similarly, “Tree” and “Sun” in Figure B are short for the songs “Family Tree” and “Sundress.”

Another interesting abbreviation is the portmanteau in the second song, called “Badd Business,” in Phantom Planet’s set list below. The question marks also leave flexibility to cater to either the performer’s whim or suggestions from the audience.

If you’re lucky enough to be at the front of the crowd (and are able to read upside down), you can know what song the band is going to play next before anyone else in the crowd. Even more useful, you can determine if you should hold out hope for an encore (or encores), as the Nada Surf set list below indicates:

One band can have variety in its set lists from show to show. How rushed a band is before the show can mean that song titles are further shortened, as they are in the first set list below.

Set lists can also be typed and display the band logo, requiring the use of a printer which may not always be available at the venue. A good example of a professional-looking set list from Eisley:

Finally, the most intricate set list I’ve ever seen belongs to Kaki King. In addition to listing the songs, it has alternate guitar tunings next to each song as well as the different instruments (ovation guitar, banjo, 7 string guitar) needed for each song:

Guitars Galore: Part 3 of 3

Here is the final installment of “Guitars Galore.” These images are more strange than artistic.

US Map Guitar:

Big Foot Guitar:

Clear Guitar:

Rolls Royce Guitar:

Gun Guitar:

Egyptian Pharaoh Guitar:

12-in-1 Guitar:

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