Interviews | After The Show

Ben Lee’s new album Deeper Into Dream doesn’t come out until October 11th, but until then you can read an interview I did with him about memorable tours, favorite lyrics, song inspirations, and dreams.

After The Show: The first time I saw you in concert was Fall 2003 when you toured with Phantom Planet. Do you have a favorite tour (or favorite band with whom you toured) that you remember fondly?

Ben Lee: I remember that tour fondly as I was newly single, and it was very easy to meet girls at a Phantom Planet show! But really there have been so many great tours. The Bens’ tour of Australia was amazing.

Thematically and sonically, how does your song “Sleepwalking” from Breathing Tornados compare to your new album Deeper Into Dream?

Well, I produced the new album myself at home. Breathing Tornados was produced by Ed Buller, so the sonic palette differs a lot, both intentionally and by circumstance. It’s interesting you made a connection thematically though – I guess the dream world has been a big interest of mine for longer than I realized. I always had this strange aspiration of living life more from a mythological dream-like perspective rather than a rational one.

There’s a rumor that you were once a member of a band called Gerling. True/False?

I subbed in when their guitar player left briefly in the 90s. I was so used to being a frontman that I even did the talking between songs – it’s so embarrassing now to remember that! It’s an honour to have shared a stage even briefly (and arrogantly) with Crossy and the Presser.

What was your inspiration for “Pop Queen” and “Away with the Pixies”? Did you write those songs about the same girl?

Not so much. More just an indie rock ideal. I was 15. Girls were the only thing I was thinking about.

Now that you have a family, are you more reluctant to go on tour? Has your view of touring changed?

It’s definitely hard to justify touring for just promotional reasons anymore. I have to make money now! That’s definitely changed…I still love playing, though. My attitude is to look at each opportunity as it comes up and see if it makes sense for me and the family.

Care to shed some light on “Stumbling Block” from Grandpaw Would? Particularly what you were thinking with the line “Locker room dialogue boils the fat”?

Hmm. Not sure I can remember exactly. I think it had something to do with Silverchair and their song “Tomorrow.” And yes obviously about bullies and the teen macho thing that goes on.

What’s one of your favorite lyrics that you’ve ever written? What about a lyric that someone else has written?

“Please, taste the sea you sail, baby I believe, there’s no way you can fail” – No Right Angles. It sings nicely, and it’s always a message that I need to hear.

By someone else – So many. How about “You’re either busy being born or busy dying” by Dylan.

Thanks Ben! Check out Ben-Lee.com

After The Show is thrilled to present our first exclusive interview…with Rooney frontman Robert Schwartzman.

After The Show: What’s your favorite lyric from the new album Eureka?

Robert Schwartzman: “It’s the same old story, the same old movie, but when you’re with me it’s a masterpiece.” It’s from the song Only Friend.

How did the band choose “I Don’t Wanna Lose You” as the first song to share with the world?

It was the first song we recorded for the album and it’s the one we tried with a few different producers. It has our sound and has something new…represents the album in a good way.

What is the hardest part about transitioning from a 5 piece to a 4 piece band?

Well, we tried the 4 piece setup for a few rehearsals, but it didn’t feel right. I like playing guitar in Rooney and it’s been my thing for the last 8 years in the band. We have a bass player with us…names Brandon Quinn…awesome guy and terrific musician. It’s great to have a new energy in the mix.

Matt [Rooney’s former bassist] called Eureka the “best record we ever made” in his farewell note. Assuming you agree, what makes Eureka even better than your previous albums?

It has the strongest songs and it sounds the best. It’s a good representation of who we are and what we’re made of. The playing is really good from everyone and it just feels the closest to home. We made it on our own, produced and engineered, which wasn’t the easiest thing for us, so it feels like a big accomplishment.

How have the songwriting duties been shared among the band on previous albums, and how were they shared while writing Eureka?

I’ve written everything for the band so far. Eureka has two songs that I didn’t write…Into The Blue, by Louie Stephens and The Hunch by Ned Brower and Taylor Locke. We started Rooney with my songs and it’s just been our thing…shaped our sound. The other guys are working more on writing and wanting to contribute, so this was their first chance to put music on a Rooney album.

What is your song “Suckceed” about?

It’s about some of the characters at our old label. Some of the things I witnessed or felt while working with them. How people pass the blame and how people do whatever it takes to make it…keep your job.

What do you see as the role of collaboration in Rooney’s future? What about collaborating with other artists (Ben Lee, Jonas Brothers) in your own SoloBob music?

I like collaborating and I’m loving the more and more I do it. Perhaps there will be some other artists featured on Solobob. As long as it makes sense for the music.

+Rooney’s new album Eureka comes out June 8, 2010. For tour dates, click here.

Category: Interviews (Page 11 of 11)

Interview: Ben Lee

Interview: Robert Schwartzman