Author: aftertheshow (Page 165 of 191)

Memoryhouse

Memoryhouse recently recorded a live session of songs. “Punctum” and “The Kids Were Wrong” are the best.

Memoryhouse plays Sunday (tomorrow night) at the Highline Ballroom.

Interview: Nasser AlQatami of Loft 965

Headquartered in Kuwait, Loft 965 is the #1 music blog in the Middle East.

I asked Nasser AlQatami, the founder of the site, about blogging, the relationship between music and fashion, and the perception of pop music in the Arab world.

After The Show: Loft 965 covers a wide range of artists, from Madonna to Vanessa Carlton to Karin Park. How do you choose which artists and songs to feature, given that there’s so much music out there?

Nasser AlQatami/Loft 965: I basically started the blog partially because I was frustrated with the state of pop music – a genre often unappreciated but it is somewhat the glue of our global commonplace. There are many artists that never chart but produce some great pop tunes and then there are the known artists who keep on doing what they are great at through the ups and downs of their careers, both of which need support. I had always loved music in many forms and thought it would be a fun idea to put all this research time I spend online on music to good use. The blog is the result and it took off quite nicely.

Congratulations on being chosen as a Middle East ambassador for Puma. How did that come about? What do you think about the intersection between fashion and music [I like that you’re not afraid to comment on fashion, like Madonna’s “ugly gloves”]?

Isn’t it great? My best friend recommended my blogs, PUMA’s representatives looked at it and they liked what they saw. They wanted people in the region who were doing something different. I guess I fit that category. I try to drop a snide comment here and there about artists who have let fame get to them. Sometimes I rile up the fan base of a certain artist to see the kind of reaction I get. Madonna’s fans are up there with the rest of them, but not as bad as Britney Spears’ and Beyonce’s. I love all the artists but I will be the first to say if something I think falls in the “not ok” category.

Yes, of course fashion and music are inseparable. Although I predominantly cover music on the blog and my interest in the fashion world has waned as of late, the visual is a very important aspect when it comes to pop music, in fact it’s only second to the music, just ask the Gaga.

How did you decide to start the website in 2008? What does the name mean, and what factors have made it so successful and widely-read?

I have always used the world wide web as a portal and before this one I did use sites like LiveJournal and others when blogging was in its infancy (it was called a weblog). When I did my Master’s I didn’t have time, but I  promised myself that when the time comes I would launch a blog for public consumption. The thought kept rummaging through my head and then when I had to do it, I basically knew exactly what I wanted.

There are many factors that made it visited by the thousands on a daily basis. First, you have to like what you do. Having passion about the subject is what draws people in, if you feel an obligation to post about something then it is probably not the thing for you. You have to keep it short, visually succinct and updated. The rule of thumb when it comes to writing is to address the blog reader as if you are having a chat with them when a certain song comes up. Nobody wants to spend their night reading an essay. They want the punchline with a pretty picture.

Other factors include the fact that I have artist loyalty. I don’t stop posting on an artist should they falter or take a turn in their career (unless they show a bigoted side to themselves). Also, its important to attach a face to the blog. It’s not a text book and people want to know who does it, more about their lives and why they do it. I think I have captured those dynamics on the blog.

The name is simple. I came up with the idea of a place, like a hangout, and I usually hangout at a loft during the weekends. I didn’t want to overburden the reader with music keywords. Also, my other passion is travel (which is why my other blog is titled Flight965.com). So, I decided to take my country’s telephone code and attach it to Loft. It gives it a regional feel with no pretense.

Have you faced any criticism for posting your content given that you’re based in Kuwait? Is there a backlash against American dance-pop or is there a desire to access that material, especially among young readers of Loft 965?

To tell you the truth, I have faced many forms of criticism. The whole array of possible criticisms have come my way throughout the 3 and half years of operation. It’s important to say that the backlash is from all over the world. But, because I have a journalism background, both in academia and previous professions, I know that feedback means that people are reading. I get a good balance of good and bad. Many accusations come my way but you have to learn to ignore them. Oh, and the IP Address registration is coming in handy.

What do you envision for the future of Loft 965? What about the role of music blogs in general?

It’s going places, but I always hope for more. I see its potential and I keep working on the material and the site. Many people think blogging is easy, but it definitely is not. In fact maintaining a blog is a full time job. So, imagine working full-time and then running two blogs. If the right circumstances should arise and I have time, I would like to take it to another level. You’ll have to keep clicking to see what that is.

When it comes to blogs in general, I think they are the future of journalism. Much to many people’s dismay, print journalism will most probably disappear into electronic form. People will start reading and trusting the opinions of bloggers and online journalists who have a history of credibility in their work. A degree won’t matter anymore, what matters is what you have to say, how many people enjoy it and what they do with it.

I Blame Coco: 2012

After The Show covered I Blame Coco back in January 2011, but the band’s debut album was only released in the UK, not in America.

Word on the street is that I Blame Coco is planning a US debut (starting in New York).

Stay tuned for updates. Here’s a video of I Blame Coco playing an unknown song, maybe called “Spies”:

Interview: Sleeper Agent

Sleeper Agent Alex Interview

Today I spoke with Alex Kandel, the lead singer of Sleeper Agent.

The band is in Boulder, Colorado on a tour with fun. sandwiched between a tour with Ben Kweller.

After The Show: I saw you open for Ben Kweller in New York at Irving Plaza two weeks ago. Any particularly memorable shows so far on this tour?

Alex Kandel: Well, playing at Irving Plaza was amazing. A few shows stand out…St. Louis (last week) stands out because I cracked my head open on Tony’s guitar. That’s still healing…a battle wound of touring.

Ouch. So Jay Joyce produced your album. Do you like recording in a studio or playing live better?

AK: They’re both totally different worlds. I feel like a toally different person in each scenario, but I get a little homesick for the studio because we don’t get to be there as often as playing live shows every night.

When you arrange your songs, how do you figure out which parts you or Tony sing? Do you guys try different arrangements?

AK: It comes naturally. We have a general idea of how we want to trade off. It’s from the gut and based on instinct. A sign that a song is overthought is that something doesn’t click…it doesn’t have that feeling like this is the song. We have demos like that where it could be a good song but it’s not…so sometimes we take parts of demos and piece them together.

When we wrote “Get Burned,” it ended up happening in pretty much one take, in terms of song structure. Of course we messed with it a bit vocally later.

Funnily, your album has been described as “a rollicking set of barnstormers.” I think there’s a perception that young bands with energetic music have songs that are just fun, simple and straightforward. 

But, your songs are more than that – they have interesting lyrical references and wordplay – like “Pavlov’s pup” in “Get It Daddy” and “Freudian slips” in “That’s My Baby.” How aware of that dichotomy are you as a band, and how aware do you think audiences are of it?

We’re very aware of that. Tony’s/our motto is “Brevity is the soul of wit, so don’t waste my time.” We’re trying to write short pop songs, but we try to be interesting. We don’t want to write another clichéd pop song. We like old school melodies like those of The Ronettes.

A lot of our fans recognize that in our lyrics, and they like us because of that.

You made a T-shirt about getting a song on a car commercial, and now “Not Never” has been on the Nike video series. What TV shows would you want to license Sleeper Agent songs to?

My favorite show is Shameless. It’s amazing. Even on the road when I don’t have access to Showtime, I figure out a way to watch it. So, I’d want Shameless.

If you could have any band cover one of your songs, which band and what song of yours would you choose?

I want Girls to cover our song “Force a Smile.” I think that would be really cool. And I cover Girls’ songs so it would be a fair trade.

Will Sleeper Agent celebrate the 1-year anniversary of Celebrasion’s release later in the summer?

Maybe. We’re still focused on touring. We’ll hopefully be overseas by then, but I’m sure we’ll find some way to celebrate.

Is the rest of the band thinking about getting more active with Tony’s songwriting?

We’re all involved in the first record. We collaborated on parts of “All Wave and No Goodbye,” and I wrote some of “That’s My Baby.” Because we’ll have a lot more time to flush out the second record, there’ll be more writing from everyone, and we all still constantly write on our own. We’re always sharing songs and ideas, even if it’s Tony who puts a lot of it together.

When we wrote the first record, we were living in the same house. When Tony writes a finished song and presents it to us, it ends up totally different than how it started. Example: Early acoustic demos of “Be My Monster” sound totally different. Justin speeds everything up, and adds the crashing drums. It’s not Sleeper Agent without Justin.

Check out the band’s tour dates at SleeperAgentMusic.com

JJAMZ: Heartbeat

Today’s a big news day for JJAMZ.

Check out the band’s official website and get a free download of “Heartbeat.”

Their debut album Suicide Pact will be out July 10, 2012 on Dangerbird.

Whispertown: Parallel EP

Remember Whispertown 2000?

Frontwoman Morgan Nagler is back with Whispertown (sans the 2000) and a new 7 song EP called Parallel.

Most of Parallel (except “Blood From Wine”) represents a different musical direction…more synth, less twang.

The artificial beeps and mechanical whirring underscore a deep sense that something is amiss.

Most upbeat track: “Bit Into A Peach”

Most depressing track: “Isn’t There More”

Best track: “Parallel”

Check out the EP + news at Whispertown.com.

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